<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2301-1513</journal-id>
<journal-title><![CDATA[Anales de Investigación en Arquitectura]]></journal-title>
<abbrev-journal-title><![CDATA[An. Investig. Arquit.]]></abbrev-journal-title>
<issn>2301-1513</issn>
<publisher>
<publisher-name><![CDATA[Universidad ORT Uruguay]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2301-15132025000101202</article-id>
<article-id pub-id-type="doi">10.18861/ania.2025.15.1.3887</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Proxémica global: la influencia de Edward T. Hall en espacios culturales]]></article-title>
<article-title xml:lang="en"><![CDATA[Global proxemics: the influence of Edward T. Hall in cultural spaces]]></article-title>
<article-title xml:lang="pt"><![CDATA[Proxêmica global: a influência de Edward T. Hall nos espaços culturais]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Narciso Mauricio]]></surname>
<given-names><![CDATA[Querbin Jhonel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Llanos Chuquipoma]]></surname>
<given-names><![CDATA[Alberto Carlos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Privada del Norte  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Peru</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Privada del Norte  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Peru</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>15</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S2301-15132025000101202&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S2301-15132025000101202&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S2301-15132025000101202&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo de investigación se enfoca en estudiar cómo los principios proxémicos establecidos por Edward T. Hall condicionan el diseño de espacios de exposición y difusión cultural. Se optó por un enfoque metodológico descriptivo, cualitativo y no experimental; este se basó en una revisión documental científica que incluyó revistas indexadas, artículos, libros especializados y trabajos de investigación. A partir de esta revisión y herramientas investigativas, se determinan tres dimensiones de estudio para la variable; esto permite identificar doce criterios relacionados con características compositivas, espacialidad, detalles arquitectónicos y materialidad; los cuales se convirtieron en lineamientos de diseño. Posteriormente, se realizó un estudio de 5 casos muestra del ámbito mundial para validar empíricamente estos criterios arquitectónicos, los resultados arrojaron que la aplicación de la compresión y dilatación del espacio a través de las distintas alturas y niveles del techo terminado se encuentra presente en el 100 % de los casos de estudio el uso de la rampa y la escalera como circulación vertical enfocada en el diseño que incentive la participación pública y la contribución a la experiencia cultural en el espacio encontrándose en el 80 % de los casos; y en un 60 % se encuentran, el uso de volúmenes euclidianos ortogonales y no ortogonales aplicando maclado y diferenciando alturas en su composición generando identidad en el contexto, y el uso de volúmenes euclidianos ortogonales y no ortogonales con sustracción céntrica produciendo la organización a partir del espacio escénico como elemento principal, siendo estos los criterios más usados. Dicho esto, se concluye que el empleo de los principios proxémicos establecidos por Edward T. Hall condiciona el diseño de espacios de exposición y difusión cultural, proporcionando una arquitectura que promueve la interacción social, la participación pública y una experiencia cultural fluida y diversa dentro del espacio.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The research article focuses on studying how the proxemic principles established by Edward T. Hall influence the design of exhibition and cultural dissemination spaces. A descriptive, qualitative, and non-experimental methodological approach was chosen; it was based on a scientific documentary review that included indexed journals, articles, specialized books, and research papers. From this review and investigative tools, three dimensions of study for the variable were determined; this allows for the identification of twelve criteria related to compositional characteristics, spatiality, architectural details, and materiality, which became design guidelines. Subsequently, a study of 5 global case samples was conducted to empirically validate these architectural criteria. The results showed that the application of space compression and expansion through different heights and ceiling levels is present in 100% of the case studies. The use of ramps and stairs as vertical circulation focused on design that encourages public participation and contributes to the cultural experience in the space was found in 80% of the cases. In 60% of the cases, the use of orthogonal and non-orthogonal Euclidean volumes applying blending and differentiating heights in their composition, generating identity in the context, and the use of orthogonal and non-orthogonal Euclidean volumes with central subtraction, producing organization from the scenic space as the main element, were the most used criteria. That being said, it is concluded that the application of the proxemic principles established by Edward T. Hall influences the design of exhibition and cultural dissemination spaces, providing architecture that promotes social interaction, public participation, and a fluid and diverse cultural experience within the space.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O artigo de pesquisa foca no estudo de como os princípios proxêmicos estabelecidos por Edward T. Hall condicionam o design de espaços de exposição e difusão cultural. Foi adotada uma abordagem metodológica descritiva, qualitativa e não experimental; ela foi baseada em uma revisão documental científica que incluiu revistas indexadas, artigos, livros especializados e trabalhos de pesquisa. A partir dessa revisão e das ferramentas investigativas, foram determinadas três dimensões de estudo para a variável; isso permite identificar doze critérios relacionados a características compositivas, espacialidade, detalhes arquitetônicos e materialidade, os quais se tornaram diretrizes de design. Posteriormente, foi realizado um estudo de 5 casos exemplares no âmbito global para validar empiricamente esses critérios arquitetônicos. Os resultados mostraram que a aplicação da compressão e expansão do espaço através de diferentes alturas e níveis do teto terminado está presente em 100% dos casos estudados. O uso de rampas e escadas como circulação vertical focada no design que incentiva a participação pública e contribui para a experiência cultural no espaço foi encontrado em 80% dos casos. Em 60% dos casos, encontra-se o uso de volumes euclidianos ortogonais e não ortogonais aplicando blendagem e diferenciando alturas em sua composição, gerando identidade no contexto, e o uso de volumes euclidianos ortogonais e não ortogonais com subtração central, produzindo organização a partir do espaço cênico como elemento principal, sendo esses os critérios mais utilizados. Dito isso, conclui-se que o emprego dos princípios proxêmicos estabelecidos por Edward T. Hall condiciona o design de espaços de exposição e difusão cultural, proporcionando uma arquitetura que promove a interação social, a participação pública e uma experiência cultural fluida e diversa dentro do espaço.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Proxémica global]]></kwd>
<kwd lng="es"><![CDATA[interacciones proxémicas]]></kwd>
<kwd lng="es"><![CDATA[espacio cultural]]></kwd>
<kwd lng="es"><![CDATA[interacción social]]></kwd>
<kwd lng="es"><![CDATA[Edward T. Hall]]></kwd>
<kwd lng="es"><![CDATA[experiencia espacial]]></kwd>
<kwd lng="es"><![CDATA[arquitectura cultural]]></kwd>
<kwd lng="es"><![CDATA[espacio escénico]]></kwd>
<kwd lng="es"><![CDATA[diseño cultural]]></kwd>
<kwd lng="es"><![CDATA[espacios de interacción]]></kwd>
<kwd lng="en"><![CDATA[Global proxemics]]></kwd>
<kwd lng="en"><![CDATA[proxemic interactions]]></kwd>
<kwd lng="en"><![CDATA[cultural space]]></kwd>
<kwd lng="en"><![CDATA[social interaction]]></kwd>
<kwd lng="en"><![CDATA[Edwar T. Hall]]></kwd>
<kwd lng="en"><![CDATA[spatial experience]]></kwd>
<kwd lng="en"><![CDATA[cultural architecture]]></kwd>
<kwd lng="en"><![CDATA[scenic space]]></kwd>
<kwd lng="en"><![CDATA[cultural design]]></kwd>
<kwd lng="en"><![CDATA[interaction spaces]]></kwd>
<kwd lng="pt"><![CDATA[Proxêmica global]]></kwd>
<kwd lng="pt"><![CDATA[interações proxêmicas]]></kwd>
<kwd lng="pt"><![CDATA[espaço cultural]]></kwd>
<kwd lng="pt"><![CDATA[interação social]]></kwd>
<kwd lng="pt"><![CDATA[Edwar T. Hall]]></kwd>
<kwd lng="pt"><![CDATA[experiência espacial]]></kwd>
<kwd lng="pt"><![CDATA[arquitetura cultural]]></kwd>
<kwd lng="pt"><![CDATA[espaço cênico]]></kwd>
<kwd lng="pt"><![CDATA[design cultural]]></kwd>
<kwd lng="pt"><![CDATA[espaços de interação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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