<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2301-1629</journal-id>
<journal-title><![CDATA[Humanidades]]></journal-title>
<abbrev-journal-title><![CDATA[Humanidades (Montevideo. En línea)]]></abbrev-journal-title>
<issn>2301-1629</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Montevideo. Facultad de Humanidades y Educación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2301-16292021000200007</article-id>
<article-id pub-id-type="doi">10.25185/10.7</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Arte, estética y robots: para una filosofía de la interacción]]></article-title>
<article-title xml:lang="en"><![CDATA[Art, aesthetics and robots: a philosophy of interaction]]></article-title>
<article-title xml:lang="pt"><![CDATA[Arte, estética e robôs: uma filosofia da interação]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pradier]]></surname>
<given-names><![CDATA[Adrián]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Valladolid  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<numero>10</numero>
<fpage>173</fpage>
<lpage>200</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S2301-16292021000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S2301-16292021000200007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S2301-16292021000200007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El concepto de interacción es clave para el desarrollo contemporáneo de la robótica social. Se discute, sin embargo, la conveniencia de una definición que atienda los éxitos de programación del robot y amenace con menoscabar su integración como dimensión elemental de la naturaleza humana. Conforme a una definición proveniente de la filosofía analítica, en la que no se devalúa el horizonte definitivamente humano del concepto de interacción, se realiza un rastreo del arte robótico como territorio de experimentación inocuo en el que se aplica la normativa estética, con independencia, por lo tanto, de otros intereses relacionados con la utilidad o la aplicación industrial. Se presta atención particular sobre aquellos casos orientados a la interacción máquina/humano, y se aplica, finalmente, una jerarquía de niveles de interacción a la que sigue una serie de conclusiones provisionales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The concept of interaction is key in the contemporary development of social robotics. We do discuss, however, the convenience of a definition that prioritizes the robot&#8217;s programming successes and threatens to undermine its integration as an elemental dimension of human nature. Based on a definition from analytical philosophy, in which the definitely human horizon of the concept of interaction is not devalued, we carry out a «search in the field of robotic art» as a harmless territory for experimentation in which aesthetic regulations are applied. independently, therefore, of other interests related to utility or industrial application. Special attention is paid to those cases oriented to machine / human interaction, and we finally apply a hierarchy of levels of interaction, which is followed by a series of provisional conclusions.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O conceito de interação é uma das chaves para o desenvolvimento contemporâneo da robótica social. No entanto, a conveniência de uma definição que aborda os sucessos de programação do robô e ameaça minar sua integração como uma dimensão elementar da natureza humana é discutida. A partir de uma definição da filosofia analítica, em que o horizonte definitivamente humano do conceito de interação não é desvalorizado, examinamos o campo da arte robótica como um território de experimentação inócua em que regulações estéticas são aplicadas, independentemente, para portanto, de outras. interesses relacionados com a utilidade ou a aplicação industrial. É dada especial atenção aos casos orientados para a interação máquina / humano e, por fim, é aplicada uma hierarquia de níveis de interação, seguida de uma série de conclusões provisórias.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[interacción]]></kwd>
<kwd lng="es"><![CDATA[arte interactivo]]></kwd>
<kwd lng="es"><![CDATA[arte robótico]]></kwd>
<kwd lng="es"><![CDATA[estética]]></kwd>
<kwd lng="es"><![CDATA[función]]></kwd>
<kwd lng="en"><![CDATA[interaction]]></kwd>
<kwd lng="en"><![CDATA[interactive art]]></kwd>
<kwd lng="en"><![CDATA[robotic art]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
<kwd lng="en"><![CDATA[function]]></kwd>
<kwd lng="pt"><![CDATA[interação]]></kwd>
<kwd lng="pt"><![CDATA[arte interativa]]></kwd>
<kwd lng="pt"><![CDATA[arte robótica]]></kwd>
<kwd lng="pt"><![CDATA[estética]]></kwd>
<kwd lng="pt"><![CDATA[função]]></kwd>
</kwd-group>
</article-meta>
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