<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2301-1629</journal-id>
<journal-title><![CDATA[Humanidades]]></journal-title>
<abbrev-journal-title><![CDATA[Humanidades (Montevideo. En línea)]]></abbrev-journal-title>
<issn>2301-1629</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Montevideo. Facultad de Humanidades y Educación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2301-16292021000200004</article-id>
<article-id pub-id-type="doi">10.25185/10.4</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Hacia la búsqueda de la identidad y la conquista de la consciencia en el género de la ciencia ficción: humanidad versus tecnología en Frankenstein (1818) y Westworld (2016)]]></article-title>
<article-title xml:lang="en"><![CDATA[Towards the quest for identity and the conquest of consciousness in the science fiction genre: humanity versus technology in Frankenstein (1818) and Westworld (2016)]]></article-title>
<article-title xml:lang="pt"><![CDATA[Para a busca da identidade e a conquista da consciência no género de ficção científica: humanidade versus tecnologia em Frankenstein (1818) e Westworld (2016)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fuentes Martínez]]></surname>
<given-names><![CDATA[Raquel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Jaén  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<numero>10</numero>
<fpage>69</fpage>
<lpage>101</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S2301-16292021000200004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S2301-16292021000200004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S2301-16292021000200004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El desarrollo tecnológico y científico supone una parte esencial de la evolución del ser humano como especie. Así, el papel de estos en la relación con la humanidad se ha plasmado en diferentes manifestaciones artísticas, entre ellas la literatura y el cine. En el presente artículo analizaremos la pervivencia de la que es considerada la primera obra de ciencia ficción: Frankenstein or The Modern Prometheus (1818), de Mary Shelley en la primera temporada de una de las series de ciencia ficción más exitosas del panorama televisivo: Westworld (2016-2020). Con el análisis de ambas veremos cómo se plasman temas fundamentales que plantea la ciencia ficción: el impulso creador de la humanidad, las consecuencias éticas del acto de creación y la necesidad de la criatura de dar sentido a su existencia. Además, el análisis de aspectos en la novela y en la serie tales como los rasgos del personaje del creador y la relación de este con sus criaturas nos aportarán elementos de valor fundamentales para demostrar de qué manera el género de la ciencia ficción se ha hecho eco desde sus orígenes de cuestiones existenciales clave para la relación entre tecnología y humanidad. Frankenstein y Westworld son la evidencia de ello.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Technological and scientific development are an essential part of the evolution of human beings as a species. Thus, their role in the relationship with humanity has been reflected in different artistic manifestations, including literature and film. In this article we will analyse the survival of what is considered the first work of science fiction: Frankenstein or The Modern Prometheus (1818), by Mary Shelley in the first season of one of the most successful science fiction series on television: Westworld (2016-2020). By analysing both, we will see how the fundamental issues raised by science fiction are embodied: humanity&#8217;s creative impulse, the ethical consequences of the act of creation and the creature&#8217;s need to give meaning to its existence. Furthermore, the analysis of aspects in the novel and the series such as the character traits of the creator and his relationship with his creatures will provide us with fundamental elements of value in demonstrating how the genre of science fiction has echoed from its origins key existential questions for the relationship between technology and humanity. Frankenstein and Westworld are evidence of this.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O desenvolvimento tecnológico e científico é uma parte essencial da evolução do ser humano enquanto espécie. Assim, o papel destes na relação com a humanidade tem-se reflectido em diferentes manifestações artísticas, incluindo a literatura e o cinema. Neste artigo vamos analisar a sobrevivência do que é considerado o primeiro trabalho de ficção científica: Frankenstein ou The Modern Prometheus (1818), de Mary Shelley na primeira temporada de uma das séries de ficção científica de maior sucesso na televisão: Westworld (2016-2020). Com a análise de ambos veremos como as questões fundamentais levantadas pela ficção científica são encarnadas: o impulso criativo da humanidade, as consequências éticas do acto de criação e a necessidade da criatura de dar sentido à sua existência. Além disso, a análise de aspectos do romance e da série, tais como os traços de personagem do criador e a sua relação com as suas criaturas, fornecer-nos-á elementos fundamentais de valor para demonstrar como o género de ficção científica tem ecoado desde as suas origens questões existenciais fundamentais para a relação entre a tecnologia e a humanidade. Frankenstein e Westworld são a prova disso.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Frankenstein]]></kwd>
<kwd lng="es"><![CDATA[Westworld]]></kwd>
<kwd lng="es"><![CDATA[hibris]]></kwd>
<kwd lng="es"><![CDATA[otredad]]></kwd>
<kwd lng="es"><![CDATA[ciencia ficción]]></kwd>
<kwd lng="es"><![CDATA[tecnología]]></kwd>
<kwd lng="en"><![CDATA[Frankenstein]]></kwd>
<kwd lng="en"><![CDATA[Westworld]]></kwd>
<kwd lng="en"><![CDATA[hubris]]></kwd>
<kwd lng="en"><![CDATA[otherness]]></kwd>
<kwd lng="en"><![CDATA[science fiction]]></kwd>
<kwd lng="en"><![CDATA[technology]]></kwd>
<kwd lng="pt"><![CDATA[Frankenstein]]></kwd>
<kwd lng="pt"><![CDATA[Westworld]]></kwd>
<kwd lng="pt"><![CDATA[hibris]]></kwd>
<kwd lng="pt"><![CDATA[alteridade]]></kwd>
<kwd lng="pt"><![CDATA[ficção científica]]></kwd>
<kwd lng="pt"><![CDATA[tecnologia.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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