<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1688-8626</journal-id>
<journal-title><![CDATA[Inmediaciones de la Comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Inmediac. Comun]]></abbrev-journal-title>
<issn>1688-8626</issn>
<publisher>
<publisher-name><![CDATA[Universidad ORT Uruguay]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1688-86262021000100087</article-id>
<article-id pub-id-type="doi">10.18861/ic.2021.16.1.3099</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Incertidumbre, disgregación y condición humana: Los relatos de la filmografía apocalíptica y posapocalíptica del siglo XXI]]></article-title>
<article-title xml:lang="en"><![CDATA[Uncertainty, dissociation and human condition: The narratives of twentieth century apocalyptic and post-apocalyptic filmography]]></article-title>
<article-title xml:lang="pt"><![CDATA[Incerteza, desintegração e condição humana: Nas histórias da filmografia apocalíptica e pós-apocalíptica do século XXI]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[CALERI]]></surname>
<given-names><![CDATA[SILVINA]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Rosario  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>16</volume>
<numero>1</numero>
<fpage>87</fpage>
<lpage>111</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S1688-86262021000100087&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S1688-86262021000100087&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S1688-86262021000100087&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN: El artículo explora los relatos de la filmografía apocalíptica y posapocalíptica, particularmente de aquellas producciones en las que el potencial exterminio del mundo no responde a eventos de la naturaleza o a invasiones alienígenas (aconteceres extrínsecos a los males de la sociedad contemporánea), sino a motivos más recónditos: el fin de los tiempos se insinúa como fenómeno que surge del interior de la humanidad misma. En tal sentido, el apocalipsis abandona su función expiatoria, así como la batalla final entre el bien y el mal. Se revisan las obras que advierten sobre el costado autodestructivo de la humanidad en el siglo XX, y se concentra en la producción de películas y series que, en lo que va del presente siglo, escenifican el derrumbe del mundo conocido y los modos de vida de los supervivientes en los tiempos que le siguen. Este planteamiento del fin del mundo, a diferencia de las ficciones del pasado siglo, expresa desaliento y perplejidad en relación con nuestro tiempo y retrata un futuro de disgregación, con pocas posibilidades de regeneración colectiva, en el cual los seres humanos devienen errantes solitarios, imposibilitados para reconstruir lo social, pero en búsqueda obstinada de lo mejor de su condición humana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT: The article explores the narratives of the apocalyptic and post-apocalyptic filmography, especially those productions in which the potential destruction of the world does not result from events of nature or alien invasions (exogenous occurrences to the evils of contemporary society); rather, it has a more obscure origin: the end of times is a phenomenon that comes from humanity itself. In this respect, the expiatory purpose of the apocalypse is abandoned along with the battle between good and evil. The article reviews the twentieth century works that caution against the self-destructive aspect in humanity, and focuses on this century films and television shows dramatizing the collapse of the world as we know it as well as the survivors&#8217; ways of life in the aftermath. Unlike the last century representations, this approach to the end of the world reveals dismay and bewilderment when facing the problems of our time, and portrays a future of dissociation with few chances of achieving some collective regeneration, a future where human beings become lonely wanderers that are unable to develop social ties but are obstinately trying to find the best of their human condition.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO: O artigo analisa as narrações da filmografia apocalíptica e pós-apocalíptica, especialmente, daquelas produções nas quais o potencial extermínio do mundo não se corresponde com eventos da natureza ou com as invasões alienígenas (acontecimentos extrínsecos às doenças da sociedade contemporânea) porém com as mais recônditas razões: o fim dos tempos insinua-se como fenômeno surgindo do interior da mesma humanidade. Nesse intuito, o apocalipse se afasta da sua função expiatória, assim como da batalha final entre o bem e o mal. O relatório revisa as produções que advertem para o lado autodestrutivo da humanidade no século XX, e concentra-se na criação de filmes e séries que, no decorrer do presente século, encenam a queda do mundo conhecido e o estilo de viver dos sobreviventes nos tempos a seguir. Esta abordagem do fim do mundo, diversamente das ficções do século passado, exprime desânimo e perplexidade com relação ao nosso tempo, e retrata um futuro de desintegração, com muito poucas possibilidades de regeneração coletiva, no qual os seres humanos se tornam errantes solitários, sem chance de refazer o social, mas na busca teimosa do melhor da sua condição humana.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[filmografía posapocalíptica]]></kwd>
<kwd lng="es"><![CDATA[colapso]]></kwd>
<kwd lng="es"><![CDATA[incertidumbre]]></kwd>
<kwd lng="es"><![CDATA[disgregación]]></kwd>
<kwd lng="es"><![CDATA[condición humana]]></kwd>
<kwd lng="en"><![CDATA[post-apocalyptic filmography]]></kwd>
<kwd lng="en"><![CDATA[collapse]]></kwd>
<kwd lng="en"><![CDATA[uncertainty]]></kwd>
<kwd lng="en"><![CDATA[dissociation]]></kwd>
<kwd lng="en"><![CDATA[human condition]]></kwd>
<kwd lng="pt"><![CDATA[filmografia pós-apocalíptica]]></kwd>
<kwd lng="pt"><![CDATA[esgotamento]]></kwd>
<kwd lng="pt"><![CDATA[incerteza]]></kwd>
<kwd lng="pt"><![CDATA[condição humana]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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