<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0797-3691</journal-id>
<journal-title><![CDATA[Dixit]]></journal-title>
<abbrev-journal-title><![CDATA[Dixit]]></abbrev-journal-title>
<issn>0797-3691</issn>
<publisher>
<publisher-name><![CDATA[Universidad Católica del Uruguay.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0797-36912024000101204</article-id>
<article-id pub-id-type="doi">10.22235/d.v38.3105</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Confusión de los sujetos y objetos en el campo de las imágenes digitales]]></article-title>
<article-title xml:lang="en"><![CDATA[Confusion of subjects and objects in the field of digital images]]></article-title>
<article-title xml:lang="pt"><![CDATA[Confusão de sujeitos e objetos no campo das imagens digitais]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Duarte]]></surname>
<given-names><![CDATA[Ezequiel Iván]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de La Plata  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<volume>38</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S0797-36912024000101204&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S0797-36912024000101204&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S0797-36912024000101204&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El objetivo del presente artículo es analizar cómo las tecnologías digitales implican la con-fusión de sujetos y objetos en el campo de las imágenes. Para ello se parte de la distinción realizada por Lucien Sfez entre comunicación representativa y expresiva, y cómo puede notarse una tendencia a su confusión en una forma que el autor llamó &#8220;tautismo&#8221;. La tesis sostenida es que ese tautismo -concepto considerado problemático- es en la actualidad una con-fusión de sujetos y objetos en el campo de las imágenes digitales. Así, se considera a las imágenes como terceros que median entre sujetos y objetos, generando continuidad entre ellos, pero sin confundirlos. Posteriormente, el cine expandido, el escaneo 3D, las imágenes de síntesis y la propia arquitectura discreta de las imágenes digitales son analizados y reunidos en la noción de simulacro. Se concluye que ninguna imagen puede existir en sí misma sin su conexión con sujetos y objetos, aunque la imagen digital tienda a ocultarlo]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The aim of this article is to analyze how digital technologies imply the confusion of subjects and objects in the field of images. It starts from the distinction made by Lucien Sfez between representative and expressive communication, and how there is a tendency towards their confusion in a form that the author called "tautism". The thesis argued is that this tautism -a concept which we consider problematic- is currently a con-fusion of subjects and objects in the field of digital images. Thus, images are considered as third parties that mediate between subjects and objects, generating continuity between them, but without confusing them. Subsequently, expanded cinema, 3D scanning, synthetic images, and the discrete architecture of digital images themselves are analyzed and gathered under the notion of simulation. It is concluded that no image can exist on its own without its connection to subjects and objects, although the digital image tends to conceal it]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O objetivo deste artigo é analisar como as tecnologias digitais implicam na con-fusão de sujeitos e objetos no campo das imagens. Para isso, partimos da distinção feita por Lucien Sfez entre comunicação representativa e expressiva, e como pode ser notada uma tendência à sua confusão de uma forma que o autor chamou de &#8220;tautismo&#8221;. A tese sustentada é que este tautismo - conceito considerado problemático - é atualmente uma confusão de sujeitos e objetos no campo das imagens digitais. Assim, as imagens são consideradas terceiros, que mediam entre sujeitos e objetos, gerando continuidade entre eles, mas sem confundi-los. Posteriormente, o cinema expandido, o escaneamento 3D, as imagens de síntese e a arquitetura discreta das imagens digitais são analisados e reunidos na noção de simulacro. Conclui-se que nenhuma imagem pode existir em si mesma sem sua conexão com sujeitos e objetos, embora a imagem digital tenha uma tendência a escondê-lo]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[teoría de la comunicación]]></kwd>
<kwd lng="es"><![CDATA[representación]]></kwd>
<kwd lng="es"><![CDATA[expresión]]></kwd>
<kwd lng="es"><![CDATA[imagen digital]]></kwd>
<kwd lng="es"><![CDATA[simulación]]></kwd>
<kwd lng="en"><![CDATA[communication theory]]></kwd>
<kwd lng="en"><![CDATA[representation]]></kwd>
<kwd lng="en"><![CDATA[expression]]></kwd>
<kwd lng="en"><![CDATA[digital image]]></kwd>
<kwd lng="en"><![CDATA[simulation]]></kwd>
<kwd lng="pt"><![CDATA[teoria da comunicação]]></kwd>
<kwd lng="pt"><![CDATA[representação]]></kwd>
<kwd lng="pt"><![CDATA[expressão]]></kwd>
<kwd lng="pt"><![CDATA[imagem digital]]></kwd>
<kwd lng="pt"><![CDATA[simulação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Andermann]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Nach der Natur: Bio Art and Unspecific Art]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Andermann]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Natura. Environmental Aesthetics After Landscape]]></source>
<year>2018</year>
<page-range>265-88</page-range><publisher-name><![CDATA[Diaphanes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barad]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Quantum Entanglements and Hauntological Relations of Inheritance: Dis/continuities, SpaceTime Enfoldings, and Justice-to-Come]]></article-title>
<source><![CDATA[Derrida Today]]></source>
<year>2010</year>
<volume>3</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>240-68</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Baudrillard]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La precesión de los simulacros]]></article-title>
<source><![CDATA[Cultura y simulacro]]></source>
<year>1978</year>
<page-range>5-76</page-range><publisher-name><![CDATA[Kairós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bensusan]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Indexicalism. Realism and the Metaphysics of Paradox]]></source>
<year>2021</year>
<publisher-name><![CDATA[Edinburgh University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Borisonik]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Variaciones sobre la representación en la era digital]]></article-title>
<source><![CDATA[Rigel. Revista de estética y filosofía del arte]]></source>
<year>2019</year>
<numero>8</numero>
<issue>8</issue>
<page-range>164-86</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Coccia]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[La vida sensible]]></source>
<year>2011</year>
<publisher-name><![CDATA[Marea]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Costa]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tecnoceno. Algoritmos, biohackers y nuevas formas de vida]]></source>
<year>2021</year>
<publisher-name><![CDATA[Taurus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Deleuze]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Simulacro y filosofía antigua]]></article-title>
<source><![CDATA[En Lógica del sentido]]></source>
<year>1989</year>
<page-range>255-80</page-range><publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Durand]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tecnofeudalismo: crítica de la economía digital]]></source>
<year>2021</year>
<publisher-name><![CDATA[La Cebra; Kaxilda]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jullier]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[La imagen digital]]></source>
<year>2019</year>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Korzybski]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Science and Sanity. An Introduction to Non-Aristotelian Systems and General Semantics]]></source>
<year>1994</year>
<publisher-name><![CDATA[Institute of General Semantics]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ludueña Romandini]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Arcana Imperii. Tratado metafísico-político. La comunidad de los espectros III]]></source>
<year>2018</year>
<publisher-name><![CDATA[Miño y Dávila]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Machado]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pre-cine y post-cine en diálogo con los nuevos medios digitales]]></source>
<year>2015</year>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manovich]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[What is Digital Cinema?]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Denson]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Post-Cinema: Theorizing 21st Century Film]]></source>
<year>2016</year>
<page-range>20-50</page-range><publisher-name><![CDATA[REFRAME Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Peirce]]></surname>
<given-names><![CDATA[C. S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Virtual]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Baldwin]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dictionary of Philosophy and Psychology]]></source>
<year>1902</year>
<volume>vol. II</volume>
<page-range>763-4</page-range><publisher-name><![CDATA[Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Peirce]]></surname>
<given-names><![CDATA[C. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Writings of Charles S. Peirce,]]></source>
<year>1993</year>
<volume>vol. 5</volume>
<page-range>1884-6</page-range><publisher-name><![CDATA[Indiana University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Peirce]]></surname>
<given-names><![CDATA[C. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Collected Papers of Charles Sanders Peirce]]></source>
<year>1994</year>
<publisher-name><![CDATA[InteLex]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Plastino]]></surname>
<given-names><![CDATA[Á.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[De la mecánica cuántica a la información digital]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Yoel]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Bordes y texturas. Reflexiones sobre el número y la imagen]]></source>
<year>2010</year>
<page-range>23-36</page-range><publisher-name><![CDATA[Imago Mundi; Universidad Nacional de General Sarmiento]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rodríguez]]></surname>
<given-names><![CDATA[P. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Las palabras en las cosas. Saber, poder y subjetivación entre algoritmos y biomoléculas]]></source>
<year>2019</year>
<publisher-name><![CDATA[Cactus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sadin]]></surname>
<given-names><![CDATA[É.]]></given-names>
</name>
</person-group>
<source><![CDATA[La humanidad aumentada. La administración digital del mundo]]></source>
<year>2017</year>
<publisher-name><![CDATA[Caja Negra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Santaella]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Matter as effete mind&#8221;: Peirce&#8217;s synechistic ideas on the semiotic threshold]]></article-title>
<source><![CDATA[Sign System Studies,]]></source>
<year>2001</year>
<volume>29</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>49-62</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schneider]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Charles Peirce and the Theory of Disembodiment]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Gvozdiak]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[How to Make Our Signs Clear. C. S. Peirce and semiotics]]></source>
<year>2018</year>
<page-range>151-60</page-range><publisher-name><![CDATA[Brill Rodopi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sfez]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Crítica de la comunicación]]></source>
<year>1995</year>
<publisher-name><![CDATA[Amorrortu]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steyerl]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Arte Duty Free. El arte en la era de la guerra civil planetaria]]></source>
<year>2018</year>
<publisher-name><![CDATA[Caja Negra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Youngblood]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cine expandido]]></source>
<year>2012</year>
<publisher-name><![CDATA[EDUNTREF]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zelcer]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Devenires de lo fotográfico. Imágenes digitales en los dispositivos contemporáneos]]></source>
<year>2021</year>
<publisher-name><![CDATA[Teseo]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
