<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0797-3691</journal-id>
<journal-title><![CDATA[Dixit]]></journal-title>
<abbrev-journal-title><![CDATA[Dixit]]></abbrev-journal-title>
<issn>0797-3691</issn>
<publisher>
<publisher-name><![CDATA[Universidad Católica del Uruguay.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0797-36912022000200082</article-id>
<article-id pub-id-type="doi">10.22235/d.v36i2.3031</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cine y mal de archivo en tres horizontes latinoamericanos: Archivo Cordero, Tierra Sola y la utopía de Anarchivia]]></article-title>
<article-title xml:lang="en"><![CDATA[Cinema and Archival Fever in Three Latin American Experiences: Archivo Cordero, Tierra Sola &amp; the Utopia of Anarchiva]]></article-title>
<article-title xml:lang="pt"><![CDATA[Cinema e mal de arquivo em três horizontes latino-americanos: Arquivo Cordero, Tierra Sola e a utopia da Anarquivia]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Estrada Alvarez]]></surname>
<given-names><![CDATA[Adriana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma del Estado de Morelos  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2022</year>
</pub-date>
<volume>36</volume>
<numero>2</numero>
<fpage>82</fpage>
<lpage>96</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S0797-36912022000200082&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S0797-36912022000200082&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S0797-36912022000200082&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este ensayo tiene como objetivo estudiar tres experiencias documentales latinoamericanas que trabajan con la memoria visual archivada: la primera, una antropóloga queda fascinada con un antiguo archivo fotográfico en La Paz, Bolivia. La historia de un posible investigador que encuentra algunas películas sobre una isla en la lejanía del océano Pacífico, y viaja hacia ella, y desde ahí le escribe a un amigo. Finalmente se cierra el ensayo con la historia de un cineasta que buscó The life of general Villa (1914) encontró fragmentos de ella en La venganza de Pancho Villa (1931), el cineasta apasionado de su historia comenzó a comprar lotes de celuloide, aparatos de cine mecánicos antiguos, y todo tipo de instrumentos visuales para vivir en una utopía llamada Anarchivia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This essay studies three Latin American documentary experiences that work with archived visual memory. An anthropologist becomes fascinated with an old photographic archive in La Paz, Bolivia. The story of an imaginary researcher who finds some movies about an island far away in the Pacific Ocean, and travels to it, and from there he writes to a friend. Finally, the story of a filmmaker who searched for The Life of General Villa (1914), found fragments of it in La venganza de Pancho Villa (1931), the filmmaker passionate of his own story begins to buy lots of films, old mechanical cinema, and all kinds of visual instruments to live in a utopia called Anarchivia.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Este ensaio tem como objetivo estudar três experiências documentais latino-americanas que trabalham com a memória visual arquivada. Um antropólogo se fascina com um antigo arquivo fotográfico em La Paz, Bolívia. A história de um aspirante a pesquisador que encontra alguns filmes sobre uma ilha distante no Oceano Pacífico, viaja até ela e de lá escreve para um amigo. Por fim, o ensaio se encerra com a história de um cineasta que procurou The Life of General Villa (1914) e encontrou fragmentos dela em La venganza de Pancho Villa (1931). O cineasta apaixonado por sua história começou a comprar muita celulóide, equipamento de cinema mecânico antigo e todos os tipos de instrumentos visuais para viver em uma utopia chamada Anarchivia.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="es"><![CDATA[memoria]]></kwd>
<kwd lng="es"><![CDATA[mal de archivo]]></kwd>
<kwd lng="es"><![CDATA[Latinoamérica.]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[memory]]></kwd>
<kwd lng="en"><![CDATA[archive fever]]></kwd>
<kwd lng="en"><![CDATA[Latin America.]]></kwd>
<kwd lng="pt"><![CDATA[cinema]]></kwd>
<kwd lng="pt"><![CDATA[memória]]></kwd>
<kwd lng="pt"><![CDATA[doença de arquivo]]></kwd>
<kwd lng="pt"><![CDATA[América Latina.]]></kwd>
</kwd-group>
</article-meta>
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<year>1983</year>
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<year>2017</year>
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<year>2015</year>
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<year>1995</year>
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</article>
