<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0797-3691</journal-id>
<journal-title><![CDATA[Dixit]]></journal-title>
<abbrev-journal-title><![CDATA[Dixit]]></abbrev-journal-title>
<issn>0797-3691</issn>
<publisher>
<publisher-name><![CDATA[Universidad Católica del Uruguay.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0797-36912019000100022</article-id>
<article-id pub-id-type="doi">10.22235/d.v0i30.1744</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Hacia una concepción compleja de la serialización televisiva en Latinoamérica: un análisis semiótico de Luis Miguel, la serie]]></article-title>
<article-title xml:lang="en"><![CDATA[Towards a complex conception of television serialization in Latin America: A semiotic analysis of Luis Miguel, la serie]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gómez Ponce]]></surname>
<given-names><![CDATA[Ariel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Córdoba CONICET ]]></institution>
<addr-line><![CDATA[Córdoba ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<numero>30</numero>
<fpage>22</fpage>
<lpage>39</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S0797-36912019000100022&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S0797-36912019000100022&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S0797-36912019000100022&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo se propone reflexionar acerca del modo en que se define el fenómeno de la serialización en la cultura contemporánea y profundizar en el estudio de narrativas masivas que, en clave semiótica, carecen de aproximaciones teóricas unívocas. Con base en el proyecto transdisciplinar de Mijaíl Bajtín, se entabla un marco teórico para observar el fenómeno actual de las ficciones seriadas en Latinoamérica con una mirada superadora de los géneros, que desarticule las dicotomías de forma-contenido y las clasificaciones clausuradas. Se selecciona como caso de análisis la ficción Luis Miguel, la serie (2018), una producción que cuestiona los límites de la serie televisiva contemporánea al borrar las fronteras de las formas tradicionales. Analizar los productos televisivos actuales en términos de una &#8220;unicidad genérica&#8221; permite comprender las operaciones compositivas de estas narrativas, así como la forma en que estas entablan intercambios cada vez menos normativizados con otras parcelas de la cultura.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article aims to reflect on the way in which the phenomenon of serialization is defined in contemporary culture and to deepen the study of massive narratives that, in semiotic terms, lack univocal theoretical approaches. Based on Mikhail Bakhtin's transdisciplinary project, a theory framework is put in place to observe the current phenomenon of serial fictions in Latin America with a view that transcends genres and disarticulates form-content dichotomies and closed classifications. The case for analysis is Luis Miguel, la serie (2018), a production that challenges the limits of contemporary television series by erasing the frontiers of traditional forms. Analyzing current television products in terms of a "generic uniqueness" allows an understanding of the compositional operations of these narratives, as well as the way in which they engage in increasingly less normative exchanges with other areas of culture.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[series televisivas]]></kwd>
<kwd lng="es"><![CDATA[géneros culturales]]></kwd>
<kwd lng="es"><![CDATA[telenovela]]></kwd>
<kwd lng="es"><![CDATA[narrativas seriadas]]></kwd>
<kwd lng="es"><![CDATA[Bajtín]]></kwd>
<kwd lng="es"><![CDATA[Luis Miguel.]]></kwd>
<kwd lng="en"><![CDATA[television series]]></kwd>
<kwd lng="en"><![CDATA[cultural genres]]></kwd>
<kwd lng="en"><![CDATA[soap opera]]></kwd>
<kwd lng="en"><![CDATA[serial narratives]]></kwd>
<kwd lng="en"><![CDATA[Bakhtin]]></kwd>
<kwd lng="en"><![CDATA[Luis Miguel.]]></kwd>
</kwd-group>
</article-meta>
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