<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0797-3691</journal-id>
<journal-title><![CDATA[Dixit]]></journal-title>
<abbrev-journal-title><![CDATA[Dixit]]></abbrev-journal-title>
<issn>0797-3691</issn>
<publisher>
<publisher-name><![CDATA[Universidad Católica del Uruguay.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0797-36912017000200004</article-id>
<article-id pub-id-type="doi">10.22235/d.v0i27.1492</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La musicalidad del paisaje sonoro urbano: El pregón del heladero]]></article-title>
<article-title xml:lang="en"><![CDATA[The musicality of the urban soundscape: The ice cream vendor&#8217;s cry]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Secco]]></surname>
<given-names><![CDATA[Leonardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Católica del Uruguay  ]]></institution>
<addr-line><![CDATA[Montevideo ]]></addr-line>
<country>Uruguay</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<numero>27</numero>
<fpage>4</fpage>
<lpage>12</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S0797-36912017000200004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S0797-36912017000200004&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S0797-36912017000200004&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El artículo propone una reflexión acerca de la musicalidad de ciertos eventos sonoros que forman parte del paisaje sonoro urbano. Se analiza un caso típicamente urbano: el pregón del heladero. A partir de un fragmento sonoro grabado en una feria barrial de Montevideo, se estudian las características de este evento desde distintos puntos de vista: acústico, perceptivo y comunicacional. Se concluye que el pregón funciona como un sistema sonoro de características especiales y que ciertos rasgos de su musicalidad son esenciales para que se establezca una comunicación eficaz en el contexto urbano. El artículo constituye un punto de partida para una posible caracterización de las expresiones sonoras urbanas en general, así como para el estudio de su impacto estético y social sobre el paisaje sonoro urbano]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This paper proposes a debate on the musicality of certain sound events that are part of the urban soundscape. A typical urban occurrence is analyzed: the cry of an ice-cream vendor. Based on a sound excerpt recorded at a popular fair in Montevideo, the features of this sound event are surveyed from different points of view: acoustic, perceptive, and communicational. It is inferred that the ice-cream vendor cry works as a peculiar sound system, and that certain musicality features that characterize it are vital for an effective communication in urban context. This article constitutes a starting point for a further characterization of urban sound expressions in general and for the study of its esthetic and social impact on the urban soundscape]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[comunicación sonora]]></kwd>
<kwd lng="es"><![CDATA[paisaje sonoro]]></kwd>
<kwd lng="es"><![CDATA[sonido urbano]]></kwd>
<kwd lng="es"><![CDATA[musicalidad]]></kwd>
<kwd lng="es"><![CDATA[señal acústica]]></kwd>
<kwd lng="en"><![CDATA[sound communication]]></kwd>
<kwd lng="en"><![CDATA[soundscape]]></kwd>
<kwd lng="en"><![CDATA[urban sound]]></kwd>
<kwd lng="en"><![CDATA[musicality]]></kwd>
<kwd lng="en"><![CDATA[acoustic signal]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carles]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
<name>
<surname><![CDATA[Palmese]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Identidad Sonora Urbana]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chion]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[La audiovisión]]></source>
<year>1993</year>
<publisher-loc><![CDATA[Barcelona, España ]]></publisher-loc>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chion]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[El sonido]]></source>
<year>1999</year>
<publisher-loc><![CDATA[Barcelona, España ]]></publisher-loc>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Krause]]></surname>
<given-names><![CDATA[B. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Niche Hypothesis: A hidden symphony of animal sounds, the origins of musical expression and the health of habitats]]></article-title>
<source><![CDATA[The Explorer&#8217;s Journal]]></source>
<year>1993</year>
<volume>71</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>156-60</page-range></nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Landy]]></surname>
<given-names><![CDATA[L]]></given-names>
</name>
</person-group>
<source><![CDATA[Understanding the art of sound organization]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Cambridge, MA ]]></publisher-loc>
<publisher-name><![CDATA[MIT Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Miyara]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[La voz humana]]></source>
<year>2001</year>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Miyara]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Acústica y sistemas de sonido]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Rosario, Argentina ]]></publisher-loc>
<publisher-name><![CDATA[UNR Editora]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nattiez]]></surname>
<given-names><![CDATA[J-J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Music and Discourse]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Princeton, NJ ]]></publisher-loc>
<publisher-name><![CDATA[Princeton University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="">
<collab>Real Academia Española</collab>
<source><![CDATA[Connotar. Diccionario de la lengua española]]></source>
<year>2014</year>
<edition>23.a ed.</edition>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schafer]]></surname>
<given-names><![CDATA[R. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Soundscape]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Rochester, VT ]]></publisher-loc>
<publisher-name><![CDATA[Destiny Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Truax]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Acoustic Communication]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Westport, CT ]]></publisher-loc>
<publisher-name><![CDATA[Ablex Publishing]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Torgue]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Le sonore, l&#8217;imaginaire et la ville: de la fabrique artistique aux ambiances urbaines]]></source>
<year>2012</year>
<publisher-loc><![CDATA[París, Francia ]]></publisher-loc>
<publisher-name><![CDATA[L&#8217;Harmattan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wrightson]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[An introduction to acoustic ecology]]></article-title>
<source><![CDATA[The Soundscape]]></source>
<year>2000</year>
<volume>1</volume>
<page-range>10-3</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
