<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0797-3691</journal-id>
<journal-title><![CDATA[Dixit]]></journal-title>
<abbrev-journal-title><![CDATA[Dixit]]></abbrev-journal-title>
<issn>0797-3691</issn>
<publisher>
<publisher-name><![CDATA[Universidad Católica del Uruguay.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0797-36912017000100062</article-id>
<article-id pub-id-type="doi">10.22235/d.v0i26.1326</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Jorge Prelorán: un cineasta argentino entre la periferia y el centro de los estudios de cine]]></article-title>
<article-title xml:lang="en"><![CDATA[Jorge Prelorán: an Argentinian filmmaker between the periphery and the center of film studies]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Campo]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional del Centro de la Provincia de Buenos Aires Consejo Nacional de Investigaciones Científicas y Técnicas ]]></institution>
<addr-line><![CDATA[Buenos Aires ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2017</year>
</pub-date>
<numero>26</numero>
<fpage>62</fpage>
<lpage>73</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_arttext&amp;pid=S0797-36912017000100062&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_abstract&amp;pid=S0797-36912017000100062&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.edu.uy/scielo.php?script=sci_pdf&amp;pid=S0797-36912017000100062&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo de este artículo es relevar los estudios críticos, de divulgación y académicos dedicados a la obra del cineasta argentino Jorge Prelorán, desde los sesenta hasta la actualidad, para analizar la relevancia de su obra en el contexto del cine etnográfico, así como las particularidades de su aproximación y representación de los sujetos populares. A partir de la revisión de dichos estudios, y del análisis que se ha realizado sobre su filmografía, se ponen en cuestión algunas afirmaciones que lo sitúan como un realizador "difícilmente clasificable" o como una &#8220;voz solitaria&#8221; (Mahieu, 1974). Si bien estas percepciones fueron comunes en los estudios sobre cine realizados en Argentina, en el exterior la obra de Prelorán -adscrita a la corriente del cine etnográfico- ha sido ampliamente estudiada y reconocida.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The aim of this article is to highlight the critical, divulgative and academic studies dedicated to the work of Argentinian filmmaker Jorge Prelorán, from the sixties to the present, to analyze its relevance in the context of ethnographic cinema, as well as the particularities of his approach and representation of popular subjects. From the review of these studies, and from the analysis that has been made on Prelorán&#8217;s filmography, some assertions that place him as a "hard to classify" filmmaker or a "solitary voice" (Mahieu, 1974) are questioned. Although these perceptions were common in the cinema studies made in Argentina, the work of Prelorán -attached to the stream of ethnographic cinema- has been widely studied and recognized abroad.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Argentina]]></kwd>
<kwd lng="es"><![CDATA[cine etnográfico]]></kwd>
<kwd lng="es"><![CDATA[estudios de cine]]></kwd>
<kwd lng="es"><![CDATA[documental]]></kwd>
<kwd lng="es"><![CDATA[Jorge Prelorán.]]></kwd>
<kwd lng="en"><![CDATA[Argentina]]></kwd>
<kwd lng="en"><![CDATA[ethnographic cinema]]></kwd>
<kwd lng="en"><![CDATA[film studies]]></kwd>
<kwd lng="en"><![CDATA[documentary]]></kwd>
<kwd lng="en"><![CDATA[Jorge Prelorán]]></kwd>
</kwd-group>
</article-meta>
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<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chapman]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Montes de González]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Los onas]]></source>
<year>1977</year>
<publisher-loc><![CDATA[Argentina ]]></publisher-loc>
<publisher-name><![CDATA[Comité Argentino del Film Antropológico]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
