 Proem |
| | |
| | · Memory, space and public art in the 20th century
Tieri Marino, Damiano; Cáceres Santacruz, Nataly
|
| | |
| Studies |
| | |
| | · Philosophy, functional beauty and ordinary feelings in commemorative art
Carrasco Barranco, Matilde
|
| | |
| | · Revolution, Mexican public art, and the League of Revolutionary Writers and Artists (1934-1938)
Hernández del Villar, Sureya Alejandra
|
| | |
| | · The image and ideas of José Enrique Rodó in the public space of Montevideo. Analysis of the monument located in the Parque Rodó de Montevideo
Arias, Cecilia
|
| | |
| | · Garden speeches
Rey Ashfield, William
|
| | |
| Articles |
| | |
| | · «The Congo was not a place, the Congo was us». Literature and otherness in Pandora en el Congo by Albert Sánchez Piñol
Illescas, Raúl Marcelo
|
| | |
| | · Onetti, between Lavanda and Montevideo. (The construction of the analogous city)
Lubelski, Aarón
|
| | |
| | · Tempus. The emblems of Alciato and their survival to this day
Soterio, Martín
|
| | |
| | · A difficult summer in the history of the Uruguayan National Party (1931)
Cerrano, Carolina; Saravia, José Antonio
|
| | |
| Review |
| | |
| | · Reseña
Cabezas, Laura
|
| | |
| Interview |
| | |
| | · Tres tiempos de un patrimonio dinámico: entrevista a William Rey Ashfield
Ashfield, William Rey; Kaplan, Daniela
|
| | |
Acknowledgement of external peer reviewers
|
| | |
All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
pdf