SciELO - Scientific Electronic Library Online

 
 número35Mapa transnacional: El Festival Internacional de Cine de Rotterdam y el entramado financiero del cine uruguayo recienteDe entidad biológica a monstruo social: Una construcción semiótica del coronavirus durante la pandemia de COVID-19 índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Links relacionados

Compartir


Dixit

versión impresa ISSN 1688-3497versión On-line ISSN 0797-3691

Resumen

HORTA CANALES, Luis. Amateur Cinema as Documentary Source: Juan Pérez Clavero in 1960’s Chile. Dixit [online]. 2021, n.35, pp.96-109.  Epub 01-Dic-2021. ISSN 1688-3497.  https://doi.org/10.22235/d35.2272.

Juan Pérez Clavero (1924-2004), an amateur filmmaker from the peasant town of Peñaflor (Chile), made numerous amateur documentaries in the 1960s, coinciding with the flourishing of the renewal trends of national and Latin American cinema. His unknown work has the particularity of being built from within rural communities, moving away from formalities and sharing the intention to address the current problems of the period, such as the representation of the popular world. The present work proposes that Pérez Clavero's work, when filming in non-professional codes and outside the margins of commercial or professional cinema, becomes an important historical documentary source that travels along two lines. The first, by allowing possible readings of a visual culture not subject to the intellectualized interests of the period. The second, how amateur cinema and particularly the work of Juan Pérez Clavero give a new perspective to approach the cinema of the sixties

Palabras clave : Chilean cinema; documentary cinema; amateur cinema; microhistory; new Latin American cinema.

        · resumen en Español     · texto en Español     · Español ( pdf )